Natalia Plagmann
Lecturer
Natalia Plagmann is a Lecturer in the Department of East European, Eurasian, and Russian Studies. Before joining Dartmouth, she taught a variety of courses at the University of Colorado Boulder, and at Princeton University, NYU, and Saint Petersburg State University, while pursuing her graduate and doctoral degrees. Her research interests include contemporary Russian literature and culture, post-Soviet documentary cinema and theater, and media and performance studies. Her dissertation, Human Documents on Screen and Stage: A Contrapuntal Reading of Post-Soviet Documentary, explores documentary films and theatrical productions in Russia in the 1990s-2010s. She has been teaching languages at the university level since 2003 and is interested in language pedagogy, focusing on technology-enhanced and student-centered instruction. A native speaker of Russian, Natalia Plagmann teaches courses in all levels of Russian language, as well as courses in Russian and East European literature and culture. While revising her dissertation as a monograph, she is working on her second book-length project,Theater for the Masses: Media Forms, Publics, and Politics of Mediatized Performance (1934-2024), which centers on the intermedial relationship between theater and technology. In parallel to these projects, she is exploring how labour is thematized, dramatized, and staged in late-Soviet and post-Soviet theater.
Contact
Education
- Ph.D. Princeton University
- M.A. New York University
- B.A. and M.A. St. Petersburg State University
Selected Publications
Gabriella Ferrari and Natalia Plagmann. "Field Notes from the Visual Wing." Russian Review 81, Issue 4 (October 1, 2022), pp. 650-653
Jason Cieply, Rossen Djagalov, and Natalia Plagmann. "Introduction" to the Critical Discussion Forum "Crisis, Contingency, and the Future of REEES: Perspectives on the Present and Future of the Field," Slavic Review 80, Issue 4, Winter 2022, pp. 727-730
"Melodrama's Womanly Face: Femininity Redefined in the Soviet Cinema of the Late 1960s-Early 1970s" in Women in Soviet Film: The Thaw and Post-Thaw Periods (London: Routledge, 2017), edited by Marina Rojavin and Tim Harte, pp. 93-111
"Preodolevaia nevyrazimoe: Autizm i dokumental'noe kino" ("Overcoming the Inexpressible: Autism and Documentary Cinema"), NLO: Novoe literaturnoe obozrenie 129 (5/2014), pp. 108-121
Speaking Engagements
"Post-Soviet Theater in Russia: Between Neoliberalism and Political Dissent," Delivered as East European, Russian, Caucasian, and Central Asian Faculty Spotlight lecture, CU Boulder, April 2023
"The (Not So) Lonely Human Voice: Sound in Contemporary Russian Documentary Theater," Delivered at the Emerging Voices in REEES Colloquium, Yale University, online, April 2021